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Lindsay Lohan (pronounced born July 2, 1986) is an American actress, pop singer and model. She began her career as a child fashion model before making her motion picture debut in Disney's 1998 remake of The Parent Trap at the age of 11. Lohan gained further fame between 2003 and 2005 with leading roles in the films Freaky Friday, Mean Girls and Herbie: Fully Loaded, subsequently appearing in independent films including Robert Altman's A Prairie Home Companion and Emilio Estevez's Bobby.
Her career was interrupted in 2007 as two driving under the influence (DUI) incidents and three visits to drug rehabilitation facilities led to several lost movie deals. Resuming her career, she guest starred in the TV series Ugly Betty in 2008, starred in the 2009 comedy Labor Pains, and will appear in Robert Rodriguez's Machete in 2010. Lohan launched a second career in pop music in 2004 with the album Speak and followed up with A Little More Personal (Raw) in 2005. She has attracted significant publicity, particularly surrounding her personal life.
Lindsay Lohan could get early release from drug rehab Wednesday when a Beverly Hills judge reviews her case.
L.A. County Superior Court Judge Elden Fox has scheduled an 8:30 a.m. hearing.
Sources familiar with the case said Lohan could be released to an outpatient program. She entered drug rehab Aug. 2 at Ronald Reagan UCLA Medical Center.
Fox has already discussed Lohan’s progress in her in-patient rehabilitation with her attorney and the prosecutor.
A source said UCLA doctors recommended the early release since the hospital's intensive in-patient program doesn't typically last 90 days and Lohan could continue with out-patient care.
Judge Marsha N. Revel sentenced Lohan to 90 days in rehab and 90 days in jail for violating the terms of her probation for a 2007 conviction for driving under the influence.
Revel has since recused herself from the case after the L.A. County district attorney’s office complained she improperly discussed it with the defense counsel and another rehab center.
Lohan entered the rehab center directly from county jail in Lynwood after serving 13 days of her 90-day sentence. She was let go early because of good behavior and jail overcrowding.
Kety Perry is the most famous Singer of USA. “Teenage Dream,” is her second major label album and first as a certified superstar, “Love, the new & improved Katy Hudson-Perry-Brand.” If you didn’t know about her fiancé, Russell B., or the actress with her given name who beat her to fame, you might think the singer was referring to herself as a salable item. Something, perhaps, like Maybelline mascara in its familiar pink and green tube — a commodity so definitive in its category that it starts to seem original. Perry likely wouldn’t mind being compared to a feminine product. “I love an obvious innuendo,” she once told an interviewer. She also loves the God-given gift of her lovely breasts and the bad-girl business of rock and roll, which she approaches the way the ad men on “Mad Men” approach cigarettes and cold cream. How to capture its spirit and sell it? How to make it seem new, yet unthreatening to an average boy or girl? Bury the dark side, scrub the dirty parts with Ivory and insist, as Don Draper would, that it’s something your audience has never before encountered. That’s madcap Katy, both slap-your-face fresh and unapologetically calculated, a brutally effective advertisement for a self.
More than her Christian background or the chick-lit limits to her take on sexual liberation, what makes Perry a controversial artist is her essential hollowness. “Do you ever feel like a plastic bag drifting through the wind, wanting to start again?” she sings in the power ballad “Firework.” Perry felt like that bag, but then realized what a bag was for: to be filled up with shiny, purchasable things.
Though her lyrics generally recount familiar scenarios on the road to romantic fulfillment, Perry’s real subject is consumerism. From the bouncy-house Scandinavian beats provided her by super-producers Max Martin, Stargate and her mentor Dr. Luke to the childlike enthusiasm with which she embraces lyrical clichés to the vocal style that combines sports arena chants with karaoke croons to her Halloween store look, Perry is the living embodiment of what it means to be bought and sold.
Her songs are like ads, with hooks that hit like paintballs and choruses that exhort like slogans; she delivers them with the gusto of a pitchwoman. On “Teenage Dream,” the songs alternate between weekend-bender celebrations of hedonism and self-help-style affirmations encouraging listeners to get an emotional makeover. Either way, acquisition is the goal: of a great love, a happy hangover, a perfect pair of Daisy Dukes. To judge Perry as inauthentic or unoriginal would be wrong; as with any great ad campaign, uncanny familiarity is her greatest achievement. She can sing a line like “you make me feel like I’m losing my virginity,” and never once hint that she might be thinking of Madonna. She can feign a rocker’s stance on the Alanis-inspired “Circle the Drain” or a hip-hop diva’s stutter on the Rihanna-influenced “E.T.,” and convince you that it fits her perfectly. No tailoring required! Whatever person exists beneath Perry’s wigs and costumes is irrelevant to her music. Her process of self-creation is the purpose and sum of her art. It’s enough to millions of listeners — especially young women — because this kind of constructed self has been a feminine reality since long before Peggy Olson started hawking Pond’s cold cream. “Put your hands on me in my skintight jeans,” Perry murmurs to a paramour in the title track, but it’s the clothing that matters more than the chance to get naked.
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Her career was interrupted in 2007 as two driving under the influence (DUI) incidents and three visits to drug rehabilitation facilities led to several lost movie deals. Resuming her career, she guest starred in the TV series Ugly Betty in 2008, starred in the 2009 comedy Labor Pains, and will appear in Robert Rodriguez's Machete in 2010. Lohan launched a second career in pop music in 2004 with the album Speak and followed up with A Little More Personal (Raw) in 2005. She has attracted significant publicity, particularly surrounding her personal life.
Fox has already discussed Lohan’s progress in her in-patient rehabilitation with her attorney and the prosecutor.
More than her Christian background or the chick-lit limits to her take on sexual liberation, what makes Perry a controversial artist is her essential hollowness. “Do you ever feel like a plastic bag drifting through the wind, wanting to start again?” she sings in the power ballad “Firework.” Perry felt like that bag, but then realized what a bag was for: to be filled up with shiny, purchasable things.
